Whether on the road or in the studio, Coleman acts as the technical hub for the hectic producer pair. Hovercraft also has a new Studio Network Solutions system, with each studio connected via fibre-optic cables to a 15-drive RAID array.Ī few spare keyboards. Hugo has small Genelecs as mains in studio C, and all rooms share several pairs of Yamaha NS10, Mackie and Proac nearfields. The monitoring arrangements could be described as eccentric: Studio A has JBL PA speakers with a pair of 18-inch subs under the console, for what Coleman calls "serious SPL" mix referencing.
The latter is also Chad Hugo's personal studio, and is filled with his seemingly infinite collection of Moog and other vintage synths.
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Three studios hold four Pro Tools rigs the Amek G2520 console, one of seven prototypes made, is still in Studio A, with Digidesign Pro Controls in Studios B and C. Hovercraft, as it's now known, still has the same layout as the studio that preceded it. Studio A's control room with Amek G2520 console and the JBL PA speakers used for loud monitoring. Ironically, however, it was the Neptunes' success and their proclivity to use studios all over the country that undermined them as a major client at Master Sound, contributing to the studio's failure as a commercial facility, and Master Sound Studios is now the private province of the Neptunes after they purchased it out of bankruptcy two years ago. The travelling really started with NERD." "They were using studios like Quad and Right Track in New York, South Beach Studios in Miami and Record Plant in Los Angeles. "I was their guy in Virginia," Coleman says of the early days of their collaborations. After their production of Noriega's 'Super Thug' in 1997 put them on the map, they began to spend more time in Virginia Beach, and they soon became one of Master Sound's regular clients. Studio A control room at The Neptunes' Hovercraft Studios.Ĭoleman and the Neptunes became acquainted when the producers were clients of Master Sound, where he was a staff engineer.
A blast of CVs after graduation in 1994 landed him a job at Master Sound, the largest studio in a small town on the East Coast, and a place that was about to become the world's busiest music factory. "I walked into that studio almost 15 years ago and said 'This is the coolest thing in the world.
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"It's been an amazing thing to be there in the middle of the creative process with Pharrell and Chad," says Coleman, 35, a native of Torrance, California, who learned recording as an apprentice at a small studio in the Pocono Mountains of Pennsylvania, where he went to college, before rounding out his education at the Full Sail academy in Florida. And, as you might expect, he loves every minute of it, even though 15-hour days in the studio are not unusual, and Coleman logs as many miles as a touring musician, following the Neptunes between studios in Los Angeles, New York, Miami and their home base of Virginia Beach. But it takes a lot of hard work to keep up with The Neptunes.Īndrew Coleman has what many would consider a dream job: primary engineer to hitmaking duo Pharrell Williams and Chad Hugo, better known as the Neptunes.
It's not a bad gig being chief engineer to the world's hottest production duo, Pharrell Williams and Chad Hugo.
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